David Anzuelo*
COUSIN JULIO

David is a member of Labyrinth Theater Company , where he first got to speak the words of Stephen Adly Guirgis in his first play Francisco & Benny. Other theater: Oedipus El Rey (Woolly Mammoth, Helen Hayes Nomination/Best Ensemble); Aunt Dan & Lemon (New Group); Frost/Nixon (Geva); Peter Sellars’ Merchant of Venice (international tour); Stand-Up Tragedy (Apple Tree, Joseph Jefferson Award - supporting actor). Film/tv: A Walk Among The Tombstones; Remember Me; Prime; Reservation Road; Mercy; NYC -22; Blue Bloods; Law & Order.

Karina Arroyave*
VERONICA

Karina is best known for her role as ‘Jamey Farrell’ in the TV show 24 and 2005’s Best Picture Winner Crash. Other film/TV credits include 187, Falling Down, Lean On Me, NYPD Blue, As The World Turns, Law & Order, The Practice, Judging Amy, Chicago Hope, Touched By An Angel and Without A Trace. Theater credits include Jose Rivera’s Marisol and School Of The Americas, Jane Bowle’s In The Summer House, Eduardo Machado’s Once Removed and Tony Glazer’s Stai. Upcoming projects include the films Family On Board (post-production) and Broken (pre-production).

Dina Ann Comolli*
VICTORIA

Dina is thrilled to be making her debut at The Kitchen Theatre! She lives in New York City where she regularly shoots commercials, print campaigns and industrials. In the theatre, she was last seen in an adaptation of Jane Austen’s Persuasion and Neil Simon’s Broadway Bound as well as Bella and the Pool Boy at the NYC Fringe Festival. Also in New York: The Rise of Dorothy Hale Off-Broadway at the St. Luke’s Theatre, The Polish Play at Soho Rep, and collaborations with TACT, Synapse Productions, Women’s Project and Prod., KEF Prod., HERE, First Look and Artistic New Directions. Regional Theatre: Summer Theater of New Canaan, Mill Mountain Theater, Stonington Opera House, Pennsylvania and Baltimore Shakespeare Festival, etc. Film: The Jam, Flinch, Wise Guys, True to the Heart. TV: Fringe, Law and Order SVU, Comedy Central and School Spirits on the SYFY Network. Education: ART’s Advanced Training Program at Harvard and DeSales University. Dina is Founder and Executive Director of Rising City Arts, a Theatre Arts in Education Organization that reaches nearly 600 children per year, helping them develop a healthier relationship to self, others and nature through curriculum infused theater arts residencies. RisingCityArts.com.

Vaneik Echeverria*
JACKIE

Off & Off-Off Broadway: The Ruby Sunrise , Tío Pepe (The Public Theater); Paradise (The Kirk Theater); Milk & Honey (The Lightbox Theatre Company); Las Dos Caras del Patroncito, Criminal (The Tenement Theatre); Rear Exit (INTAR). (Regional) Jesus Hopped the A Train (The Wilma Theater); Kiss of the Spiderwoman (The InterAct Theater Company); The Merchant of Venice, Timon of Athens (The Shakespeare Theatre Co., DC); A Midsummer Night’s Dream (The Guthrie); I Don’t Have to Show You No Stinking Badges (El Teatro Campesino); Jesus Hopped the A Train (The Pilsbury House Theatre); A Midsummer Night’s Dream, The Miser (Wisconsin Shakespeare Festival); Stand-Up Tragedy (PCPA Theatrefest); The Tempest (Vermont Shakespeare Festival). (Film) BQE, Confessions of a Shopaholic, Rolling, Underdog. (Television) Law & Order, Law & Order SVU, Guiding Light. (Internet) East WillyB. (Interactive Media) The Warriors; Midnight Club 3: Dub Edition, Midnight Club 4, Red Dead Revolver, Red Dead Redemption, Undead Nightmare (Rockstar Video Games)

Brandon Morris*
RALPH D.

Brandon was last seen at the Kitchen in Frankie and Johnny in the Clair de Lune. Regional credits include: The Elaborate Entrance of Chad Deity, The Whipping Man (Caldwell Theater); Somebody/Nobody (Mixed Blood); Ward 57, Black Sheep (Florida Stage); Macbeth, A Streetcar Named Desire (Greenbrier Valley Theatre); Match Games (Actors’ Theater of Louisville); Fat Pig, Romance, This is How it Goes (Gablestage). Television: Law and Order: SVU, Dexter, CSI Miami, South Beach, and a recurring role on USA’s Burn Notice. Brandon would like to thank everyone in the audience for supporting live theater.

Margarett Perry**
Director

Margarett has directed over 15 productions at the Kitchen Theatre since coming here in 2006 with Clean Alternatives by Brian Dykstra. In 2012 Perry’s KTC productions included Mrs. Mannerly, Brian Dykstra Selling Out and the world premiere of Call Me Waldo by Rob Ackerman that went on to receive an Off-Broadway run with the Working Theatre last Spring. Other KTC favorites include Private Lives, The Two Of You, Old Times, Chesapeake, The Soup Comes Last, A Play On Words, Strangerhorse and A Marriage Minuet. Off Broadway credits include premieres of Brian Dykstra’s Clean Alternatives (59E59, Fringe First Award-Edinburgh), Rob Ackerman’s Call Me Waldo (The Working Theatre), Israela Margalit’s First Prize (Arclight), Richard Abrons’ The Body Politic (59E59), Brian Dykstra’s A Play On Words (59E59), FJ Hartland’s Mother Tongue (Abingdon) and Brian Dykstra The Jesus Factor (Barrow Street). Perry is a regular at the Human Race Theatre Company in Dayton, Ohio where she has directed God Of Carnage, Painting Churches, The Retreat From Moscow and most recently the world premiere of Michael Slade’s Under A Red Moon, which went on to a production at the Carnegie Center in Covington, KY. Her HRTC productions have won DayTony Awards for Best Overall Production and Best Ensemble, among others. Perry was the Producing Artistic Director of Access Theater in NYC for six years where she directed and produced numerous plays and world premieres. She is an Artistic Fellow at The Lark Play Development Center where she has worked with a variety of writers developing new plays. www.margarettperry.com

KTC: Circle Mirror Transformation, Mary’s Wedding, The Brothers Size. NYC: A Charity Case (Theatre Row), Friends & Relations (June Havoc Theatre), Brilliant Traces, First Prize (Arclight Theatre), Baltimore in Black and White (Cell Theatre), How I Fell In Love (Abingdon Theatre Company), Brian Dykstra’s Ho! (The Drilling Company), Pearl’s Gone Blue (2011 Fringe, Fringe Encores, Best Overall Production winner), Sammy Gets Mugged (2011 Fringe), among others. Ithaca College: Floyd Collins, Children of Eden, Metamorphoses (lighting). Running to Places: Thoroughly Modern Millie, Romeo & Juliet (lighting), ...Charlie Brown (lighting). Elsewhere: The Last Five Years (Winston-Salem, NC), After the Revolution (Williamstown). David has spent summers at the Barrington Stage Company and the Williamstown Theatre Festival. He is a graduate of Ithaca College. To view more of his work, please visit: www.davidarsenaultdesign.com.

Tyler is a recent graduate of Ithaca College where he received a BFA in Theatrical Production Arts with concentration in Lighting and Scenic Design. Past Kitchen Theatre credits include: Crooked, Opus (Scenic & Lighting Designer), The Whipping Man, Frankie and Johnny in... Lune, Waiting for Spring, The Mystery of Irma Vep, In the Company of Dancers (Lighting Designer), Broke-ology (Properties Designer), Bed and Sofa (Assistant Scenic Designer). Ithaca College credits include: The Magic Flute (Scenic Designer), The Light in the Piazza, How Learned to Drive (Lighting Designer), The Little Prince (Assistant Lighting Designer), among others. His work has also been seen with Running to Places Theatre Company where he spent the season as Resident Designer: A Christmas Carol, Hairspray, Joseph and...Dreamcoat (Scenic and Lighting Designer), Annie, Oklahoma, Noises Off, Oliver, Cinderella (Scenic Designer), Urinetown (Lighting Designer). He also has extensive work as an assistant/associate designer to Steve TenEyck with such companies as Ithaca College, Kitchen Theatre Co., Hangar Theatre, Merry-Go-Round Playhouse, Pennsylvania Shakespeare Festival, Florida Grand Opera, Mill City Summer Opera, and the Herson Group Ltd.
www.tylermperrydesign.com

Lisa has designed and coordinated costumes for a number of previous productions at the Kitchen Theatre, including Crooked, The Whipping Man, Circle Mirror Transformation, Irma Vep, Red Light Winter, Broke-ology and Waiting For Spring. Other favorite designs at the Kitchen include Mary’s Wedding, Bed and Sofa, Last Train To Nibroc, I Become A Guitar, Nine Parts Of Desire, and Precious Nonsense. She runs her own studio, where she designs and constructs prototypes, mascots and custom clothing for film and public appearances. She has been the Textiles Coordinator and Design Associate for MacKenzie-Childs, Ltd., and presently runs the costume shop at Cornell University. There she is responsible for training students in all aspects of costume construction, and has designed costumes for Picasso At The Lapin Agile, Beat Box Bard, Bedroom Farce, and Drama, Dance And The Disco Of Desire, among others.

Ian is a senior at Ithaca College studying sound design and technology. This is Ian’s first production with the Kitchen Theatre. Regional Credits Include: Chautauqua Theatre Company: The Philadelphia Story, Everything is Ours, Muckrakers, As You Like It, and the world premiere of Kate Fodor’s Fifty Ways (Sound Technician), Cain Park: Dreamigirls (Mixer). Ithaca College Credits: Legally Blonde, The Magic Flute, Bachelor Holiday, Speech and Debate (Sound Design). Internationally Ian was the Sound Department Intern at the Royal Court Theatre, London UK and the Hire Shop Intern at Orbital Sound, London, UK. Ian would like to thank Charlotte, his wonderful friends and most of all his family for all their support.

Megan is currently serving as a production intern here at The Kitchen Theatre, and she is thrilled to be afforded the opportunity to design the properties for the upcoming season. Crooked, The Whipping Man and Opus, here at with the Kitchen Theatre Company, was Megan’s first professional design, her previous props experiences include working as a prop artisan for the Pacific Conservatory of the Performing Arts in Santa Maria, CA (Summer 2012) and filling the role of props master for 4 years at Whittier College from whence she graduated in 2010. Some of her Whittier College credits include Pride and Prejudice, Urinetown, and Wonder of the World, which earned her Meritorious Achievement honors from the Kennedy Center American College Theatre Festival.